Spork
Active member
Things that I wound up doing last night...
I used more copper to brighten up the head. Unfortunately, the eye-draw towards the butt of the dragon is always kind of going to be a thing. The reason for that has to do with it being this calm area of homogeneous color and less detail, in just gazing at the piece, it's the one area that doesn't have a ton of busy shit going on, basically, and it's an eyeball-puller. It takes less effort to mentally process than exploring the details does, I almost think. And the wings create those two black voids there. I could probably paint them copper or gold, and it would change the focus, but I don't want to. I wanted them leathery black.
And I also followed suggestions given to me by starlight1, and by another friend on Facebook, which was to turn down the volume on the loud background colors somehow. I blackwashed it just enough to calm it down but not remotely enough to obliterate the colors entirely...they're more subtle now.
And then I re-sealed the whole thing. I have some different gloss levels of sealants in play that I wanted to experiment with...I used the "brilliant" high gloss for the dragon, except the wings which are matte, and the background is a regular gloss which comes off as a semi-gloss compared to the glassy, almost wet sheen of the dragon's surface.
And the other factor that cannot be experienced here in photos is that the painting is meant to be touchable. I've done plenty of work with acrylics and Mod-Podge, and once you've put a few layers down, it's pretty dang durable. No one is going to put this under glass, and there is a ton of interesting texture to it. Unless it is displayed someplace inaccessible, this guy wants to be touched, and that was on purpose.
But in looking at the process of making it, I love how inspiring I found various stages of the work. There were a couple of points where I was tempted to stop, but I had a vision of where I wanted to go with it. However, I need to make future pieces in solid matte black like that phase of it, and at the black/red puffy paint phase, that had great potential as well. (I only used that to get the raised scale texture, then I painted over it--I wanted him to be copper, not red & black.) But those stages in particular are good endpoints for future works.
And of course if you look at the matte black stage, and imagine it having the look and texture in person of black leather, and imagine kinky subject matter sculpted in relief instead of it being necessarily a dragon, that is a direction I hope to go and maybe sell stuff at the club, although frankly I could stick with a variety of dragons and probably do just as well. So many of the kinky folks are nerds, and dragons are always popular subjects. Since Voodoo is a gallery space as well as a dungeon, I figure I should make use of that...although I have seen the same pieces on the walls for a long time and I'm not sure that they sell swiftly enough to do me much good. I probably need to just stay very productive, and diversify, as there are plenty of galleries in my area. I think most of them sell on commission. But I need more product...
As with everything, finding balance in my time and energy is a challenge, but this is what I signed up for, I have to either get another job, or keep doing this, or go back to college. I can't just use all of my free time for leisure. And art is by far the most enjoyable prospect...
I used more copper to brighten up the head. Unfortunately, the eye-draw towards the butt of the dragon is always kind of going to be a thing. The reason for that has to do with it being this calm area of homogeneous color and less detail, in just gazing at the piece, it's the one area that doesn't have a ton of busy shit going on, basically, and it's an eyeball-puller. It takes less effort to mentally process than exploring the details does, I almost think. And the wings create those two black voids there. I could probably paint them copper or gold, and it would change the focus, but I don't want to. I wanted them leathery black.
And I also followed suggestions given to me by starlight1, and by another friend on Facebook, which was to turn down the volume on the loud background colors somehow. I blackwashed it just enough to calm it down but not remotely enough to obliterate the colors entirely...they're more subtle now.
And then I re-sealed the whole thing. I have some different gloss levels of sealants in play that I wanted to experiment with...I used the "brilliant" high gloss for the dragon, except the wings which are matte, and the background is a regular gloss which comes off as a semi-gloss compared to the glassy, almost wet sheen of the dragon's surface.
And the other factor that cannot be experienced here in photos is that the painting is meant to be touchable. I've done plenty of work with acrylics and Mod-Podge, and once you've put a few layers down, it's pretty dang durable. No one is going to put this under glass, and there is a ton of interesting texture to it. Unless it is displayed someplace inaccessible, this guy wants to be touched, and that was on purpose.
But in looking at the process of making it, I love how inspiring I found various stages of the work. There were a couple of points where I was tempted to stop, but I had a vision of where I wanted to go with it. However, I need to make future pieces in solid matte black like that phase of it, and at the black/red puffy paint phase, that had great potential as well. (I only used that to get the raised scale texture, then I painted over it--I wanted him to be copper, not red & black.) But those stages in particular are good endpoints for future works.
And of course if you look at the matte black stage, and imagine it having the look and texture in person of black leather, and imagine kinky subject matter sculpted in relief instead of it being necessarily a dragon, that is a direction I hope to go and maybe sell stuff at the club, although frankly I could stick with a variety of dragons and probably do just as well. So many of the kinky folks are nerds, and dragons are always popular subjects. Since Voodoo is a gallery space as well as a dungeon, I figure I should make use of that...although I have seen the same pieces on the walls for a long time and I'm not sure that they sell swiftly enough to do me much good. I probably need to just stay very productive, and diversify, as there are plenty of galleries in my area. I think most of them sell on commission. But I need more product...
As with everything, finding balance in my time and energy is a challenge, but this is what I signed up for, I have to either get another job, or keep doing this, or go back to college. I can't just use all of my free time for leisure. And art is by far the most enjoyable prospect...