Aww, thanks guys
Starlight, it's not my first exhibition; I've done small-time local art shows/sales/auctions for a few years, mostly in the fantasy/geek-chic sector. This past fall I had my first "actual and real" traditional contemporary exhibition, a solo that I kind of fell into. I've been selling through this gallery for a while, and one of their artists just kind of disappeared. Turns out he moved to Vancouver to be... artistic... for a while. Really left the gallery in a lurch, though, as they had only a few months to prep an alternative artist. The owner asked if I could do it, and I did. It was
terrifying, but since I'm pretty new to the Stuffy McStufferson Art Scene it wasn't terribly busy. I still managed to sell quite a bit though- more or less I sold out. The pieces that didn't sell at the gallery sold very soon afterward.
This is my first "real" exhibit where my work will be hung next to artists' whose careers I've been following since I was in high school art class. Scary! The curator is a big sweetie, though, so I'm sure it will be fine, even if my reptilian hindbrain keeps short circuiting everything with panic.
Haha, Magdlyn! Nah, I already have two canvases on the go; a mother/calf rhino pair and a cougar preparing to leap over a stream, not to mention a certain backlog of commissions. I'm basically booked up for commissions until August! I DO like the idea of painting a moose in the winter though, maybe partially obscured by ice encrusted trees...
And, I totally agree with you Spork. Since I often do a lot of fine detail work I tend to paint from really close so it's easy to lose the forest for the trees. I try to make a habit of walking away from the work every so often and looking it it from across the room. Sometimes that helps "snap" the disparate parts back together into a cohesive whole like it appears in my head.
It's kind of funny- the art I paint is not the kind of art I have hanging in my house. I really love looking at brilliantly coloured abstract work, with lots of flow and contrast and texture. That's mostly what is on my walls, with a few small exceptions here or there. I also love macro scientific photography; I have a few false-colour images of things like abalone shell matrix, or the cell structure of an orchid petal. One of the profs at the lab where I work does scientific photography as a hobby and most of my prints have been purchased from him. His work is brilliant!
I paint a lot of landscapes, wildlife, stuff like that. Mostly I enjoy doing slice-of-life, or portraiture. I try to incorporate the animal's habitat, or unique physiology or behaviour. I do like to play around with new techniques and media, though, so it's not unusual to find me splashing resin, squishing polymer clay, or tossing feathers or what have you around. Mostly those pieces end up in the garbage or in my Art Graveyard (aka, The Closet). It's still fun though!
And, sometimes, I create dragons and dinosaurs because they are fun and I love them
(this one got smashed by a very bad kitten, so it was never finished. It was just a play-around piece, though, so it wasn't so heartbreaking!)